Mademoiselle Claude
Mademoiselle Claude
Japanese Girl
Japanese Girl
Lady Bryan
Lady Bryan
Likeness
Likeness
Ja Ja Bolivar
Ja Ja Bolivar
Mexican Girl
Mexican Girl
Ukrainian Girl
Ukrainian Girl
Masha Kalinina, Miss Moscow 1988 © Daniel Karp. L.A. 2009
Masha Kalinina, Miss Moscow 1988 © Daniel Karp. L.A. 2009
Barbara Pino ©Daniel Karp Ago de Chile 2001
Barbara Pino ©Daniel Karp Ago de Chile 2001
Marta Minujin ©daniel Karp 1982
Marta Minujin ©daniel Karp 1982
Adriana R. © daniel Karp 1982
Adriana R. © daniel Karp 1982
Spanish Girl
Spanish Girl
Lady Socas RIP
Lady Socas RIP
Desiree Deridder
Desiree Deridder
Actress Andrea Bonelli
Actress Andrea Bonelli
Admit One
Admit One delves into the tension between access and exclusivity in contemporary visual culture. By presenting "Admit One" tickets within various contexts—over magazine covers, in domestic and intimate settings, and within hands poised for display—the series invites a dialogue about permission, participation, and the commodification of experiences. Each image deconstructs symbols of power, luxury, and mass culture, inserting the viewer into scenarios of both invitation and restriction.
Hollywood Blvd.
This series explores the intersection between artifice and identity, building a visual narrative that fuses the aesthetic codes of cinema, fashion and street photography.
before the words
Before the Words exacerbates the tension between visual cues and narrative imagination, The series penetrates the space where language has not yet invaded, where images resonate as open symbols, without restrictions of interpretation.
figures on landscape
This series shows the modern city as both a product and a reflection of human cognition. The photographs reveal the paradox of urban life: cities are built to serve human needs, yet often overshadow and alienate their inhabitants. By juxtaposing small human figures against imposing architectural forms, the series highlights the tension between intimacy and isolation, individuality and uniformity.
True Fictions
"True Fictions" is a digital stage photography serie exploring the blurred boundary between reality and constructed narratives within modern urban spaces. The images question our perception, inviting us to reflect on what is "real" versus "staged" in contemporary city life.
No Storyboards
These are storyboards made with images. There is no text written nor a preview idea. The series unfolds as a collection of visual narratives that bridge the worlds of cinema and photography, forming a silent symphony of potential stories and hidden emotions. Stripped of written exposition, these sequences rely solely on the interplay of images to conjure an atmosphere of mystery, tension, and reverie, inviting viewers to become active participants in the storytelling process.
Ordinary Things
Ordinary Thing is Life invites us to reconsider the boundaries between the animate and inanimate, uncovering the subtle vitality embedded within everyday objects. Drawing on principles of contemporary art, this series transforms the mundane into a space for poetic reflection, where form, texture, and tone reveal the essence of life itself. charged with unexpected meaning. all these photographs are printed on Japanese Rice Paper
Passion in Red
Passion in Red explores the intimate dialogue between human emotion and the intensity of digital manipulation, symbolized through the omnipresent hue of red—both violent and tender, aggressive and comforting. It uses digitally intervened photography as its medium to transcend the boundaries of physical reality, blurring the lines between what is real and what is perceived.
images as film writing
This series of diptychs is a visual and conceptual journey into the subconscious of film writing—a medium that traditionally begins with words but here begins with images. Each diptych is a storyboard for a story not yet told, a frozen frame of a film that exists only in the realm of potential.
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